Back during my quick stint as a film major at college I had a really good looking professor. Staring at this man during class made all those hours of pretentious films that we had to watch allllll worth it. But as hot as he was, and as much as I dubbed Fridays "Hot Prof Day" because I had his class and another looker's class, this guy was a shit teacher.
Okay, maybe that's a bit unfair. Having gained a bit of teaching experience myself now, I have a lot more sympathy for him than I did back when I was 19. I realize now that sometimes students will make contributions in class for which all the best pedagogical theorists agree the only appropriate response is "What the fuck are you talking about?" And I also realize that sometimes kids will ask questions that I have to wonder what language they're speaking in. And frequently when you ask kids for an answer to a question they'll come up with some answer so horribly WRONG that only Satan himself could have planted it in the child's head.
So anyway, this professor would have us screen our short films in front of the class. My one and only film made as a film major was about a Jew getting so pissed off about Campus Crusade for Christ that he ends up leading an exodus to Skokie, IL. But you didn't really need to know that.
Anyway, after each film was screened the professor would flip on just one of the lights. There he'd stand, only half of him lit by a small pool of weak, orange light in an otherwise dark room, and he'd spout off awkward comments. Trying to express an interest in our beginners' work but clearly not sure how, he'd say things like, "Wow. So what was up with [*insert the worst part of a student's project*]?" He didn't say much, usually just one line, but the one line was without fail unintentionally awful. The sort of thing that would make you want to step outside, go up to the water outside, and slowly immerse yourself in Lake Michigan and never come up for air. Then, silently gloating over someone else's failure while also realizing that we were next, the audience of film students would sit in awkward stillness, someone would cough uncomfortably, another person would give a good ol' SNUUUUURF to remedy their runny nose caused by the Midwestern winter, and then the professor would ask us to put on the next film.
Repeat for each film.
Besides Professor HotStuff and his awkward comments though, there were a lot of other things to look forward to when it came to film class. And when I say a lot of other things I really just mean Penny*. Or maybe it was Penni. Or Peny? I don't know. Penny seems too normal for this girl, one of my dear film classmates. I remain fully convinced that she was a very nice person, but my God was she delightfully bizarre. Years from now when I'm old and gray and about to die alone in my house with my 500 cats (all of whom I will detest), I think her coats are what I will remember about this period of my life.
What I remember is that she would wear enormous fur coats. Like, MASSIVE fur coats. They were usually cut short, almost a bit like crop top fur coat. She had several different fur coats, but the one thing they all had in common was that they all made her look like a yeti. I always used to anticipate her arrival to class because she was one of those people who is physically incapable of arriving on time to anything, so every Friday she would waltz in about 20 minutes late like it ain't no thang, and she would disrobe. And off would come an absolutely ENORMOUS and unspeakably furry coat. And then it would take her another five minutes for the coat to be lovingly tucked into a vacant seat like it was not just an enormous collection of dead, fluffy animal skins but instead a pile of fluffy and inanimate puppies. I mean, I was a theatre/film major--I loved a good production, and this definitely counted.
I'm also convinced that she had some sort of a religious obligation to have at least 10 animals on her at any given moment, much like a Sikh's Five Ks. On one memorable occasion I watched her take off a gigantic light brown fur coat only to find that she was wearing a suede hippie-indian vest. With colorful embroidery. And which was lined with even more yeti fur.
I also liked the pillbox hats that she would wear. They were exactly like what Jackie Kennedy used to wear, except that Penny's had the same texture as latex. And they were metallic and neon. They looked a bit like what I would imagine we think hookers would have worn in the 1960s (regardless of how they may have actually dressed.
Anyway, that was my undergraduate experience. Just thought you should know.
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